1.9ccGLX

from the famous book by Carlo Lorenzini or rather The Adventures of Pinocchio

project and realization Kinkaleri /Matteo Bambi, Luca Camilletti, Massimo Conti, Marco Mazzoni, Gina Monaco, Cristina Rizzo | with Matteo Bambi, Marco Mazzoni, Gina Monaco, Cristina Rizzo | production Kinkaleri – 1998 | in collaboration with Festival di Castiglioncello, Centro Regionale Toscano per la Danza, LINK Project, AUT, Officine cinematografiche

It was the spell at first, the bewitchment, the allusive distance seeing us off in the warm and comfortable world of fable.
It is loss and spell and for that reason at the end has to be broken.
It is the place of fable, and the fabulous resetting of the world that prophesies its own disenchantment from history, where the spell-bound man is struck dumb and the estranged nature begins to speak.
– Let’s get starting, but without King.
He is missing for once. The subject, the verb and the word are missing, dashed to the forced world of acoustic grammar one moment before being able to close one’s ears.
It is due to the lack and to the defect that story, reduced to sound, voluminous and croaking through the different levels of listening, finds its way out in the waves of final amplifiers, being subject to the impedance of the mechanical tool.
And the infant awaits.
Incubated in the yellow heart of the set and lovingly protected by mother nature whose engineering tickles the reckless presence of visible bodies, hidden bodies and bodies at the expiration point of origin.
It is the field of miracles and marvels with its spell-bound house that gives hospitality to the story of its beloved Pinocchio, giving it back as a miniature of small inanimate relics.
The spell is broken.

The project had further developments and generated site-specific performance, installations and video installations.