et

project and realization Kinkaleri /Matteo Bambi, Luca Camilletti, Massimo Conti, Marco Mazzoni, Gina Monaco, Cristina Rizzo | with Luca Camilletti, Liana Mascagni Marco Mazzoni, Gina Monaco, Cristina Rizzo | production Kinkaleri – 1999/2000 | in collaboration with Link Project | with the support of Progetto Regionale Toscanadanza, MiBAC – Dipartimento dello Spettacolo | collaboration in the realization Carmine Deganello, Nicola Guarneri, Stefano Ciappi, Alessandro Maffei, Stefano Bettega, Patafisic

et is a performance ‘reflecting’ from the myth; therefore about the representation.
Nobody like Pierre Klossowski has brought back the vision of the myth to its essence of simulacrum.
To face the myth of Diana and Atteone means to get concerned with the most incredible myth, the one that apparently goes off the lines by itself. Diana and Atteone make use of an intermediary demon to give shape to the vision, to the event, to the theatre.
Atteone the human, a relative of the gods, becomes the witness of a sight conjured up and built by himself in the bright thicket where the Goddess bathes and refreshes herself, a sweetly useless action to her impassive nature, though necessary to the representation.
So we sink into the myth to ponder on the language and on the vision, ‘representation’ between the human being and his construction of imagery, simulacra.
Here we are in the field of the construction of imagery, the creation of a theatre carved more than once.
If the myth is divulgation, simulacrum and not mystery, according to Klossowski all this makes itself concrete with the revelation and use of the stereotype as an enigma, as a further step outward.
The complete communication is left out.
Soaked into a crossroads of signs and simulacra, we are not going to let them emerge or to supply a dialectic equipment, but to lodge among them.